Wednesday 29 September 2010
Gil Scott-Heron / Chris Cunningham / MOMA
As Cunningham explained, he has been recording train sounds from outside his U.K. apartment for ten years, and for this piece he replaced 90% of the Scott-Heron’s musical track with these train sounds and environmental recordings, pitch-shifting and harmonizing them to create a “musique concrete” version of the original composition.
Via filmmakermagazine.
Libellés :
chris cunningham,
Gil Scott-Heron,
moma
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